{"id":421,"date":"2009-01-18T17:53:12","date_gmt":"2009-01-18T15:53:12","guid":{"rendered":"http:\/\/phaidon.philo.at\/qu\/?p=421"},"modified":"2009-01-18T17:53:12","modified_gmt":"2009-01-18T15:53:12","slug":"asthetik-des-fensterputzens","status":"publish","type":"post","link":"https:\/\/quatsch.philo.at\/?p=421","title":{"rendered":"\u00c4sthetik des Fensterputzens"},"content":{"rendered":"<p>Schon lange habe ich nichts so Gutes gelesen wie Michael Frieds Arbeit \u00fcber den US-amerikanischen Fotographen Jeff Wall, seine Fotoinstallation, aufgenommen im Mies van der Rohe Pavillion in Barcelona, und ein Fragment Wittgensteins \u00fcber Kunst &#8220;auf der B\u00fchne&#8221; und nach der Entfernung des Theaterrahmens. Sie ist erschienen in <a href=\"http:\/\/yalepress.yale.edu\/book.asp?isbn=9780300136845\">Why Photography Matters as Art as Never Before<\/a>. <\/p>\n<p>EIne Version des Textes ist online: <a href=\"http:\/\/criticalinquiry.uchicago.edu\/issues\/fried.pdf\">Michael Fried: Jeff Wall, Wittgenstein, and the Everyday<\/a><\/p>\n<div align=\"center\">\n<img decoding=\"async\" class=\"aligncenter size-full wp-image-422\" title=\"cleaning\" src=\"http:\/\/phaidon.philo.at\/qu\/wp-content\/uploads\/2009\/01\/cleaning.jpg\" alt=\"cleaning\" \/>\n<\/div>\n<p>Morning Cleaning, Mies van der Rohe Foundation, Barcelona 1999<br \/>\nTransparency in lightbox 1807 x 3510 mm<br \/>\nCollection of the artist, on permanent loan to the Museum f\u00fcr Moderne Kunst, Frankfurt am Main<br \/>\nCinematographic photograph<br \/>\n\u00a9 The artist<\/p>\n<p>Ein Videoclip bringt die ersten 9 Minuten des Vortrags, aufgenommen im MuMok 2007:<\/p>\n<p>[youtube WxPABneNmrU super video]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Schon lange habe ich nichts so Gutes gelesen wie Michael Frieds Arbeit \u00fcber den US-amerikanischen Fotographen Jeff Wall, seine Fotoinstallation, aufgenommen im Mies van der Rohe Pavillion in Barcelona, und ein Fragment Wittgensteins \u00fcber Kunst &#8220;auf der B\u00fchne&#8221; und nach der Entfernung des Theaterrahmens. Sie ist erschienen in Why Photography Matters as Art as Never<a class=\"more-link\" href=\"https:\/\/quatsch.philo.at\/?p=421\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[25,206],"class_list":["post-421","post","type-post","status-publish","format-standard","hentry","category-philosophie-klassisch","tag-asthetisch","tag-wittgenstein"],"_links":{"self":[{"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=\/wp\/v2\/posts\/421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=421"}],"version-history":[{"count":0,"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=\/wp\/v2\/posts\/421\/revisions"}],"wp:attachment":[{"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/quatsch.philo.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}